Category Archives: Music Monday

[musicmonday] Flogging Molly in Charlotte

So last week I went to a Flogging Molly concert.

A few months previously a friend of mine told me she liked Mumford & Sons. It’s hard for me to hate on them because I’ve never really listened to their music, but she played me a few of their songs and explained that she loved their “folky sound”. She also mentioned that she loved their accents and accordion. “Laura,” I said, “I know a band you should listen to.” Two months later I drove up to Charlotte, NC and we went to see them live at the Fillmore (for only $25 I might add).

Before the concert, we indulged in Irish cuisine and Harp (because I didn’t want to sip on Guinness all night) at Ri Ra Irish Pub. If you like lamb, get the Irish Stew. You’d be doing yourself a disservice getting anything else, although the Bistro salad was also delicious.

Flogging Molly Live in Charlotte, NCWe got to the venue just in time to see the last song or two of the opener, and squeezed into the center of a packed house. Even though it was a Sunday night, the place was crammed full of concert-goers. Mostly the good kind, too – you know, the ones that are always holding a beer, wearing a big green hat, and grinning ear-to-ear as they bounce back and forth in the crowd. As I’m sure you can imagine, Flogging Molly is an awesome band to see live. Lead singer Dave King tells entertaining stories about their songs and has a great camaraderie with the crowd. You can tell everyone onstage is really enjoying being there, and all of their songs have such upbeat, dance-and-sing-your-heart-out rhythms that it’s hard not to enjoy yourself.

Flogging Molly in Concert in Charlotte, NCAt the end of the night, amidst chants of “Olé, Olé, Olé, Oléee” the band came back for an encore and played a cover of Bob Dylan’s “The Times Are a-Changin”. Check out the video below.

On the way home, Laura and I snagged a cab with another guy headed our way. The cabbie had house music playing, so, naturally, I started beat-boxing (or trying to, anyway), and our new friend tried his hand at freestyling. “I don’t think any of that rhymed,” I told him. “Was it supposed to?” he asked.

Flogging Molly Concert in Charlotte Feb 26

[musicmonday] Music Video Collaboration

Hey guys, I did hair, makeup and costumes for this music video! Check it out.

Chieftain (Austin Hafer) is a friend of mine with whom I worked on Edge of the Woods back in January. Kelsey Kopecky is a wonderful singer/songwriter of The Kopecky Family Band and Feather and Belle.

The rest of the crew included several other people that I worked with on EOTW:

Director/Cinematographer/Post Production – Ben Walter
Production Manager – Andrew Callicott
Set Decoration – Taylor Glazier
Prop Manager – Julius Amaker
Key Grip/Still Photographer – Max Ridgeway
Grip – John Thomy
1st Team Assistant – Caroline Hafer

THE VIDEO CAME TOGETHER BEAUTIFULLY, and I am very pleased and impressed with the result! The song has a mellow, smooth vibe reminiscent of The XX (who I wrote about a few months ago btw). The full album will be out soon on iTunes.

It was a pleasure working with everyone, and I hope we get to work together again soon. Chances are, I’ll be seeing several of them on this project.

[musicmonday] Farewell DJ Mehdi, Hello new CYHSY

This week we have some sad news and some good news. First, the sad news: last Tuesday French electronic music producer, DJ Mehdi of Ed Banger Records (the label that signed French electronic music duo Justice), died after a skylight in the roof of his Paris apartment collapsed during a birthday party he was hosting for a friend, plummeting him and 3 friends two stories below.

DJ Mehdi was most known for remixing songs by Miike Snow and Architecture in Helsinki, among others, as well as for his popular singles Lucky Boy, and I am Somebody (which was actually featured on an XM commercial). Check out this sweet video below.

 

The good news is, however, that indie rock band Clap Your Hands Say Yeah has finally produced a third album, Hysterical (after the title track). It’s officially on the shelves tomorrow, but NPR has done a “first listen” so you can check it out here. Their last album, Some Loud Thunder, was released in 2007 and failed to impress. I’ll be honest, I am a huge fan of their first, self-titled album, which came out in 2005, and was incredibly disappointed by their sophomore attempt. It replaced the happy, upbeat “get up and dance” feel of the first album with a more downbeat, minor-chords-heavy, and at times discordant sound. I found it difficult to sit through – though admittedly that might have been partly because of the extremely high expectations I had of their work.

Now on to their third album…four years later. NPR writer Bob Boilen claims this album marks a point in the CYHSY history – that the band has officially “grown up”. After listening through the album, I think he means their sound has developed into something smoother, polished, and more mainstream. If you ask me, this is not necessarily a good thing. What was so charming about CYHSY was their complete and utter lack of sophistication. We loved the pitchy wailing of singer Alec Ounsworth, and the dance-your-heart-out beats. The new CYHSY is not bad, they’re just different. But then, it has been 4 years since their last album, and Ounsworth has even released a solo album since then, Mo Beauty.

I suppose it’s hard to see one of your favorite bands evolve, but I’m mostly just glad they’re still together and producing music. Also planning to listen through their new album a few more times and see if it’ll grow on me.